Mac Davis
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Birth name:
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Scott Mac Davis
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Born:
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January 21, 1942
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Origin:
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Lubbock, Texas
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Years active:
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1970–present
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Labels:
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Columbia
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Scott "Mac" Davis (born January 21, 1942), is a country music singer and songwriter originally from Lubbock, Texas who has enjoyed much pop music crossover success. He became one of the most successful country singers of the 1970s and 1980s. He is also an actor.
Davis initially became famous as a songwriter and got his start as an employee of Nancy Sinatra's company, Boots Enterprises, Inc.. Davis was with Boots for several years in the late '60s. During his time there, he played on many of Sinatra's recordings and she put him in her stage shows. Boots Enterprises was also Davis' publishing company, publishing songs such as "In the Ghetto", "Friend, Lover, Woman, Wife", "Home," "It's Such a Lonely Time of Year," and "Memories", which were recorded by Elvis Presley, Nancy Sinatra and others. Davis left Boots Enterprises, Inc. in 1970 to sign with Columbia Records, taking his songs with him.
He became known later also as a country singer. Especially during the 1970s, many of his songs scored successfully on the country and popular music charts, including "Baby, Don't Get Hooked on Me" (a number one success), "One Hell of a Woman" (Popular #11), and "Stop and Smell the Roses" (a #9 Popular hit). During the 1970s, he also was active as an actor, hosting his own variety show and also acting in several movies.
Mac Davis Lane intersects Avenue Q (U.S. Highway 84) in Davis's hometown of Lubbock.
Davis graduated at 16 from Lubbock High School in Lubbock, Texas. He spent his childhood years with his sister Linda, living and working at the former College Courts, an efficiency apartment complex owned by his father, T.J. Davis, located at the intersection of College Avenue and 5th Street. Davis describes his father, who was divorced from Davis' mother, as "very religious, very strict, very stubborn." Though Davis was physically small, he had a penchant for getting into fistfights. "In those days, it was all about football, rodeo and fistfights. Oh, man, I got beat up so much while I was growing up in Lubbock," Davis said in a March 2, 2008, interview with the Lubbock Avalanche-Journal newspaper. "I was 5 feet, 9 inches, and weighed 125 pounds. I joined Golden Gloves but didn't do good even in my division." After he finished high school, Davis moved to Atlanta, Georgia, where his mother lived.[1]
In Atlanta, Davis played rock and roll music. He also worked for the Vee Jay record company (home to R&B stars such as Gene Chandler, Jerry Butler and Dee Clark) as a regional manager, and later also served as a regional manager for Liberty Records. In the meantime, Davis was also writing songs. One of the songs he wrote in 1968, called "A Little Less Conversation" was recorded by Elvis Presley (and would become a posthumous success for Presley years later). Shortly after, Presley recorded Davis' song "In the Ghetto" in his sessions in Memphis. According to maverick record producer Jimmy Bowen, "Ghetto" was originally pitched to Sammy Davis Jr.. Mac, guitar in hand, played the song in a studio, with onlookers such as Rev. Jesse Jackson and other members of the black activist community. Davis, the only Caucasian man in the room at the time would eventually tell Bowen, "I don't know whether to thank ya, or to kill ya." Davis eventually recorded the tune after Presley's version became a success, but it remained unreleased until a campy Rhino Records "Golden Throats" compilation in 1991. The song became a success for Presley and he continued to record more of Davis' material, like "Memories" and "Don't Cry Daddy". Bobby Goldsboro also recorded some of Davis's songs, like "Watching Scotty Grow", which became a number one Adult Contemporary success for Goldsboro in 1971. Other artists that recorded his material included Vikki Carr, O.C. Smith and Kenny Rogers and The First Edition. "I Believe in Music", often considered to be Davis's signature song, was recorded by several artists (including Marian Love, Louis Jordan, Perry Como, and Davis himself) before it finally became a success in 1972 for the group Gallery.